Saturday, 6 April 2013

I'm lazy, I'm hazy / new music review / brushing yr teeth - mish mash stuff post

Early afternoon today, I woke up late and wrote out a list of my favourite albums of all time. HERE. This evening, lying on my bed in a vague haze I am listening to two of my top ten and am beginning to glimpse at the majesty of all - how little I know and have managed to grasp and am beginning to discover. Whilst my family are downstairs watching Doctor Who I am reading through the Sick Mouthy and Devon Record Club archives and bookmarking a lot of things that I don't have time to do without committing to them at the expense of other things (each of these uncommitted to - and so I do nothing).

My two favourite records this evening, brought to mind by my list and pushed into my ears by the discovery of Wild Swim.


It can't be time to break through yet, though; I refuse to move through the haze, sober up and pursue that which gives me a sense of fulfilment as well as the fa├žade of enjoyment. I really am rubbish at seizing the day.

What do we do when we are without the drive to delve into the archives of the canon, or shortlist? Either look forward or just ignore the issue. For once, I seem to have done the former and in earlier perusing the Glastonbury emerging sound competition (not capitalised, read: too lazy to fact check the comp.'s name) longlist I discovered a host of new things to be excited about. Of these, the one with which I really clicked was Wild Swim. Towards the end of your first listen, it dawns upon you that they're amazing.





The last thing you would do would be to accuse them of aping Wild Beasts, and yet it is hard to ignore an approach that blends the most baroque of Hayden Thorpe's vocals with a minimalist sound reminiscent of all the influences you would expect cited for Smother - the kind of music that gives you a hankering for late Radiohead or Atoms For Peace. As Echo develops, it reveals itself as almost onomatopoeic: a collage of influences that near-crescendos, never quite coming to flower. Ending in a cacophony that leaves you almost as puzzled as you are pleasured, the track is the more wild side of Wild Swim, a band whose music seems to be the result of mixing restraint with boundlessness. The record's b side, Bright Eyes, showcases the opposite end of the spectrum, a pool in which you can languish and perhaps pull a length or two out of that locker we probably have a key to somewhere. Currently available to pre-order, their latest is a more mature fusion of the two styles, and is even more brilliant than Echo. I may well purchase both releases, but I'm trying to save money and writing this feels like justification for only streaming them. I won't forget about them. This should be more than enough to tempt you into listening now. Do it. Can you sense my urgency? I must flip the record and refill my drink.






Forget it. I have finished my drink and so am signing off here. Here is a link to my Instagram account, where I've started a new trend of people taking unattractive pictures of themselves brushing their teeth. Byeeeeeeeee


J.

p.s. I only told you about one of the longlist. There were loads of good'uns - find it here. Other favourites were Moats (obviously, I've mentioned before that I like them and they're quite nice too), Isaiah Dreads (a 15 year old mc who has an incredible flow but semi-rubbish beats) and Mt. Wolf. Here's a song.<br />
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